Author Archive

From Albums
posted on June 1st, 2011
From Albums
posted on June 1st, 2011
From Albums
posted on June 1st, 2011
From Albums
posted on June 1st, 2011
From Albums
posted on June 1st, 2011
From Albums
posted on June 1st, 2011
From Albums
posted on June 1st, 2011
posted on May 30th, 2011
I guess when Tracey Emin ramped up her “poor little rich girl” anti-tax whining routine a few years ago, some folks were probably quite pleased because they already hated her work, so being able to tag her a greedy right-winger was an added bonus. 

Not me though, I was gutted.

Shows how naive I can still be – I’ve always loved Emin’s art, so I made fat old assumptions about her empathy with other people and felt surprised and betrayed to discover her ideology sucks.

Emin’s new exhibition Love Is What You Want at London’s Hayward Gallery is as compelling, blackly comic and angry as ever, by the way.

If there’s a problem with her work in 2011 it’s simply that tapping veins of self and displaying them in public is passe now, normalised by millions of people – especially kids – who over-share like mad every day online.

read more

posted on April 10th, 2011
Creative licence in a new show about the disabled appears to be less than original 

What is music media figure Charles Hazlewood and Jo Brand’s production company What Larks doing apparently ripping off creative work from a small charity for disabled musicians?

In the past Hazlewood has been involved with some genuinely interesting projects, combining a career as a moderately successful conductor with roles in events management and the media.

He’s part of the Somerset crowd, conducted the first symphony at Glastonbury Festival and does good work popularising orchestral music.

But this week I found Hazlewood involved with a bit of media chicanery that appears deeply underhand and leaves me questioning his motives.

For the past five years, small but highly respected disabled musicians’ charity Drake Music has been developing an ambitious large-scale project called Concerto, to launch and support a working orchestra for musicians with disabilities and provide them with bespoke new music to perform.

read more

posted on February 21st, 2011
Despite what the suits might have you think, the album still has a great deal more to offer 

We’re only six weeks into 2011 and it’s already shaping up to be the finest vintage year for album releases in half a decade, probably longer.

Time after time in the past month, bands and artists I love have produced the goods, headed towards their peak form or returned with true passion and creativity after a gap.

In fact, I have heard almost enough albums in January alone to equal my 10 favourites from the whole of last year.

For me the clear masterpiece so far is PJ Harvey’s Let England Shake, which repositions her as a world-class outward-looking war artist.

read more

Sound Cloud
Spotify
YouTube
Facebook
Twitter
RSS Feed
Tumblr
Last.FM
MySpace