Not me though, I was gutted.
Shows how naive I can still be – I’ve always loved Emin’s art, so I made fat old assumptions about her empathy with other people and felt surprised and betrayed to discover her ideology sucks.
Emin’s new exhibition Love Is What You Want at London’s Hayward Gallery is as compelling, blackly comic and angry as ever, by the way.
If there’s a problem with her work in 2011 it’s simply that tapping veins of self and displaying them in public is passe now, normalised by millions of people – especially kids – who over-share like mad every day online.
I wear a white poppy for Remembrance Week for this reason: I want to use this time to remember and think about all those whose lives have been blighted by war, just like others do. But I do not support the Royal British Legion. Instead I prefer a sister symbol that is equally as meaningful and as historically and ideologically valid, with the same underlying intention.
The white poppy has been around since 1933 and grew as a symbol of remembrance alongside – rather than later than – the red poppy. Crucially, the white poppy is an alternative to – not in opposition to – the red poppy. It is not a political symbol, certainly not a combative symbol of ‘the left’ but a quiet, traditional pacifist one. Pacifism is a non-threatening minority belief, often faith-led (such as with the Religious Society of Friends – the Quakers – from whom I learnt the history and significance of the white poppy).
The World Book Night project is getting some hefty plugging from the BBC and the broadsheets, after an initial push on the Culture Show at the end of last year. It was conceived in 2009 by James Byng of Canongate at a talking shop to find new ideas for publishers. It is supported by the BBC along with a range of leading lights in publishing and run (intriguingly) as a ‘charitable company’.
The project asks people to apply to become ‘book givers’, picking a book that they wish to give out to lots of people. Recruits will each get 48 free copies of their chosen book and on one night – Sat 5th March 2011 – amid a co-ordinated wave of excitement and media interest, distribute them to the masses. On the same night, the organisation itself will give away books to places where they’re hard to get (they mention prisons and hospitals). Sounds ace.
What is music media figure Charles Hazlewood and Jo Brand’s production company What Larks doing apparently ripping off creative work from a small charity for disabled musicians?
In the past Hazlewood has been involved with some genuinely interesting projects, combining a career as a moderately successful conductor with roles in events management and the media.
He’s part of the Somerset crowd, conducted the first symphony at Glastonbury Festival and does good work popularising orchestral music.
But this week I found Hazlewood involved with a bit of media chicanery that appears deeply underhand and leaves me questioning his motives.
For the past five years, small but highly respected disabled musicians’ charity Drake Music has been developing an ambitious large-scale project called Concerto, to launch and support a working orchestra for musicians with disabilities and provide them with bespoke new music to perform.